“Joseph Andrews” a comic epic in prose A heroic epic has a towering hero, grand theme, a continuous action, a journey to underworld, wars, digressions, discovery, high seriousness, a high moral lesson and bombastic diction in it and in “Joseph Andrews” there is an ordinary hero, a journey from one place to another place, mock-wars, digressions, discovery, humour, a high moral and a bombastic diction in it . Unlike a heroic epic, the hero of “Joseph Andrews” is an ordinary boy. He is a foot-man of Lady Booby who has fallen in love with him. But Joseph is very virtuous and chaste and therfore is dismissed from his job. We can call “Joseph Andrews” as “The Odyssey on the road” because both the works, Homer’s “Odyssey” and Fielding’s “Joseph Andrews ” in the first place involve a journey. Like Odysseus, Joseph Andrews after the displeasure of a lady, sets out on his way home and meets with many misfortunes on the way. So it would be fairly justified to call Joseph A
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Joseph Andrews as comic epic or mock epic in prose
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Direct and Indirect Object What is an object? An object in grammar is a part of a sentence, and often part of the predicate . It refers to someone or something involved in the subject 's "performance" of the verb. It is what the verb is being done to. As an example, the following sentence is given: Subject Verb Object Leila wrote the poem " Leila " is the subject , the doer or performer, " wrote " is a verb that refers to the action, " the poem " is the object involved in the action. Transitive and intransitive verbs A verb can be classified as transitive or intransitive according to whether it takes or doesn't take an object: If a verb takes objects, then it is a transitive verb . Example: They played soccer . → (The verb play takes ONE object ' soccer ') They sent him a postcard . → (
Aristotle's concept of tragedy
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Aristotle's concept of tragedy “The Poetics” is chiefly about Tragedy which is regarded as the highest poetic form. Abercrombie says: “But the theory of Tragedy is worked out with such insight and comprehensions and it becomes the type of the theory of literature.” Aristotle reveals that imitation is the common basis of all the fine arts which differ from each other in their medium of imitation, objects of imitation and manner of imitation. Poetry differs from music in its medium of imitation. Epic poetry and dramatic poetry differs on the basis of manner of imitation. Dramatic poetry itself is divisible in Tragic or Comic on the basis of objects of imitation. Tragedy imitates men as better and comedy as worse then they are. Thus, Aristotle establishes the unique nature of Tragedy. Aristotle traces the origin and development of poetry. Earlier, poetry was of two kinds. There were ‘Iambs’ or ‘Invectives’, on one hand, which developed into satiric poetry, and ‘hymns’
Oedipus is a puppet in the hands of gods who struggles unconsciously through his medium of free will to avert the fate imposed by gods and tightens the snare around himself to accomplish the wish of gods with his excessive pride. Justify the statement with reference to the play.
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Q.1: Oedipus is a puppet in the hands of gods who struggles unconsciously through his medium of free will to avert the fate imposed by gods and tightens the snare around himself to accomplish the wish of gods with his excessive pride. Justify the statement with reference to the play. Ans . Oedipus is a puppet in the hands of gods. The ancient Greek believed in the power of gods. They thought that their lives are driven with the will of gods. Gods dictate the persons in different ways. In Greek tragedies suspense and action is created through mysteries of life. The man’s fate is unchangeable and pre-determined was the belief of Greek which is called fatalism. Man is not capable of changing his destiny, he is a puppet in hands of gods. The Greek did not show any reluctance or doubt to accept the will of gods. Sophocles presents in his works that man has free-will but the supernatural powers do not allow him to act according to his free-will. He present’s the theory of Greeks, known as